![]() In 1924, his wife of more than four years, Reba Shelton, died in childbirth, along with his twin daughters. Kerr passed the bar exam in 1922, but a business failure the previous year had left him deeply in debt. He then returned to study law under an Ada judge. He never saw combat, but he used his active involvement in the Oklahoma National Guard and the American Legion to forward his business and political careers. When the United States entered World War I in 1917, Kerr was commissioned as a second lieutenant in the army. He briefly studied law at the University of Oklahoma until poverty forced him to drop out in 1916. He later attended and graduated from East Central Normal School in Ada. He enrolled at Oklahoma Baptist University in Shawnee as a junior in high school. Not only did his religious beliefs lead him to teach Sunday school and to shun alcohol throughout his adulthood, it also aided his political aspirations in a conservative state where Baptists were the single largest denomination. Kerr's upbringing as a Southern Baptist had a profound influence on his life. Kerr was born in a log cabin in Pontotoc County - near what is now Ada - in Indian Territory, the son of William Samuel Kerr, a farmer, clerk, and politician, and Margaret Eloda Wright. He was the first Oklahoma governor born in the territory of the state.Įarly life Kerr was born in this cabin near Ada, Oklahoma. Kerr worked natural resources, and his legacy includes water projects that link the Arkansas River via the Gulf of Mexico. He served as the 12th governor of Oklahoma from 1943 to 1947 and was elected three times to the United States Senate. Kerr formed a petroleum company before turning to politics. 1899, Memphis, TN d.Robert Samuel Kerr (Septem– January 1, 1963) was an American businessman and politician from Oklahoma. 2007, Isle of Palms, SCī 1909, Baltimore, MD d. 1976, Washington, DCĪskew, Elizabeth Hoevel ī. 1986 (buried in Arlington National Cemetery, Arlington, VA)ī. 2004, Greenville, SCĪlbers, Annelise "Anni" Elsa Frieda Fleischmannī. Please contact the collection’s registrar, Holly Watters, with any corrections or additions to this digital directory.ī. Intended for professional and lay audiences alike, this documentary asset offers any number of dangling threads that may, in time, entice another curious cultural scholar to pick up the trail and begin crafting a new contribution to the whole. When a listed artist is represented in the Johnson Collection, her name is linked to additional information on this website. Artists who achieved significant professional recognition under both a maiden and married name are cross-referenced. Marital names that were not used as an artist’s primary identity are denoted in braces. Within name listings, alternate spellings are noted where we discovered persistent records of such variations. With those caveats in place, the information presented includes: artist’s name (including birth and married names, nicknames, professional monikers, and pseudonyms, where applicable) artist’s life dates (ideally with birth and death locations, and occasionally with place of burial) and the Southern state or states with which the particular artist was associated (whether by birth, residency, education, or exhibition activity). Sourced from scholarly and primary materials, as well as museum archives, exhibition records, and socio-cultural records, the list is neither exhaustive nor perfect. Now numbering over two thousand names of established, exhibited female practitioners, this index is not comprehensive and is emphatically not presented as such. This directory seeks to address-and redress-the lack of a comprehensive codex of Southern women artists active between the late 1890s and the early 1960s, the period surveyed in TJC’s most recent book, Central to Their Lives: Southern Women Artists in the Johnson Collection. ![]() While many of the artists connected to the region are widely known and duly noted in the canon of American art history, far more fine artists-and female artists, in particular- have been overlooked. Through its academic research, the Johnson Collection has worked intently to document and celebrate the achievements of artists associated with the South.
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